The ingredients are pages from books, paper and cardboard, cut, torn and glued, squeegeed with gesso, rolled with ink, printed with computer graphics–dots, text, photo imagery. Cut and re-cut, compressed, combined, and carved until it seemed like something was happening.
I had it in mind to take the previous drawings I had made and ‘do something else to them,’ so often would start by editing out the parts of the drawing that did not seem necessary, compressing it vertically, horizontally. Then I would begin to add new graphic elements, trying to find something that would click into place. But removing parts of elements, obscuring or reshaping–erasing–was no less constructive in process, really no different. Sometimes I would feel that I was close to completion with something and then take it apart completely to see how it might go back together, and notice that one part could be combined with another drawing entirely, and continue there.