I have been working on a painting at the Art Students League with Costa Vavagiakis that represents an welcome step forward in the way the image is made. A simple change—working with large brushes and no medium. I load the brush, strop away excess paint on the palette, and then drag the paint onto the canvas so that the color and value are built up in layers of pigment. I had been working with small brushes and thinned paint, brushing and drawing out shapes of color and value. This new approach feels better to me, and looks better.